The Essential Guide to the 17th Arrondissement

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The Essential Guide to the 17th Arrondissement
The 17th arrondissement is the real deal. You won’t find world-renowned galleries here, but you will find a family-oriented quarter with unpretentious shopping streets and amazing fresh markets where Parisians calmly go about their daily routines. Off the tourist track, the arrondissement spans the northwest border of Paris, so lace up your walking shoes. West to east, it’s made up of four neighborhoods; Ternes, Plaine de Monceau, Batignolles and Epinettes. Ternes, north of the Arc du Triomphe, touches corners with the Bois de Boulogne. Together with Monceau they create an area more posh in feel when compared to the central Batignolles, which has a residential, family vibe. The village-like Batignolles offers a touch of carefree charm, with independent cafes, shops, and bars.   The Naumachia, Parc Monceau © Sarah Fauvel. The Naumachie was built with the columns of the ancient Rotunda of Valois, ordered by Catherine de Medici to house Henry II’s tomb, planned to be placed next the Basilica of Saint Denis. It was dismantled in 1719. These columns are the vestige of the funerary monument. In the north east, abutting Montmartre, Épinettes, once a district of factories and mills, left a legacy of industrial-style structures presently going through a clever urban refurbishment. It makes Paris look hip and green friendly.   Painters Claude Manet and Frédéric Bazille found the area affordable and lived here when it was still a village-like suburb, as did a plethora of writers like Emile Zola, Edmond Rostand, and Maurice Pagnol. Claude Debussy and Maurice Ravel practiced here, as did the most expensive courtesans in town.   Today the district is a mix low-key affluence and small-town charm, with markets, quiet squares, and handsome, domed Haussmannian mansions. Its local spirit makes the 17th arrondissement ideal for a peaceful escape from central Paris.   Henner Museum Salon. Photo: © Hartl Meyer What to see  Like many foundations in Paris, the Musée Jean-Jacques Henner is a part of the community, hosting musical events in its galleries along with yoga lessons, workshops, and storytelling tours. The neo-Renaissance mansion was bought in 1921 by the niece of Jean Jacques Henner to showcase her uncle’s work. Henner himself owes much of his fame to Saint Fabiola, an often-reproduced painting. His art is quite unclassifiable. Is he a symbolist? The soft sfumato focus of his portraits and tasteful nudes could almost be called Pre-Raphaelite. Je ne sais pas. In this gorgeous setting, 300 of Henner’s works offer a very interesting look into an artist whom many of us might not already be familiar.  43 avenue de Villiers  The painter Jean-Jacques Henner in his atelier on Place Pigalle/ photographer unknown/ courtesy of the musée
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Lead photo credit : Hôtel Gaillard. Photo: Ricardalovesmonuments / Wikimedia Commons

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A freelance writer and amateur historian, Hazel knew she wanted to focus on the lives of French artists and femme fatales after an epiphany at the Musée d'Orsay. A life-long learner, she is a recent graduate of Art History from the University of Toronto. Now she is searching for a real-life art history mystery to solve.