Museuming in Paris, Part II: A La Carte

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Museuming in Paris, Part II: A La Carte
This is the second article in a series on Museuming in Paris. For Part I, click here. When I spent two days with my daughter in Paris during her 2012 semester at the Université Paul Valéry in Montpellier, she drew up the itinerary using “apps” on her phone, a completely new idea for me at the time. Our first destination was the Musée du Parfum Fragonard (free admission) at 9, rue Scribe and rue Auber, on the Right Bank, in the 9th arrondissement, not far from the Garnier Opéra.  Our next destination was supposed to be the Musée Rodin on the rue Varenne, way over on the Left Bank, in the 7th arrondissement.    However, as we reached the sidewalk outside the Musée du Parfum Fragonard, she spotted an advertisement on the side of a bus driving along the street right in front of our eyes. It announced the Artemesia Gentileschi exhibition at the Musée Maillol. We looked at each other with a knowing glance: Artemisia! It wasn’t on the list, but who cares – we love Artemisia Gentileschi. Without one second’s hesitation, we consulted our map (me) and a GPS app (my daughter) to figure out the quickest way to the Musée Maillol, also located in the 7th arrondissement, at 59-61 rue de Grenelle. The whole experience felt magical and extremely comforting on this miserable, rainy day.  The exhibition was exceptional, better than we anticipated, and we discovered a museum we had not visited during our previous trip to Paris. Artemisia Gentileschi, Jael and Sisera, c. 1620, Museum of Fine Arts, Budapest This summer, the Musée Jacquemart-André hosted an Artemisia Gentileschi exhibition in this glorious mansion (March 19  – August 3, 2025). Here is a sample of this extraordinary curatorial endeavor. Both the Musée Maillol and the Musée Jacquemart-André are not included in the Paris Museum Pass, which brings me to the joys of museuming “à la carte,” a pay-as-you-go model that encourages a laissez-faire, free-wheeling approach rather than signing up for a restrictive Paris Museum Pass, Paris Pass, or similar pre-packed touristic deal.  Musée Marmottan, Exterior. Wikimedia commons
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Lead photo credit : Musée du Parfum-Fragonard. Interior. Photo: Beth Gersh-Nesic, March 2012

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Beth S. Gersh-Nešić, Ph.D. is an art historian and the director of the New York Arts Exchange, an arts education service that offers tours and lectures in the New York tristate area. She specializes in the study of Cubism and has published on the art criticism of Apollinaire’s close friend, poet/art critic/journalist André Salmon. She teaches art history at Mercy College in Westchester, New York. She published a book with French poet/literary critic Jean-Luc Pouliquen called "Transatlantic Conversation: About Poetry and Art." Her most recent book is a translation and annotation of "Pablo Picasso, André Salmon and 'Young French Painting,'" with an introduction by Jacqueline Gojard.

Comments

  • Hazel Smith
    2025-09-02 08:38:13
    Hazel Smith
    Lovely list. The Marmottan-Monet is worth visiting and it's an eye-stretch because it's an amazing mansion outside the city centre. The Carnavalet is a must. I put it off for years, but it's worth every minute. I have just put Musée d’Art Modern on my agenda for my September trip avec mon fils!

    REPLY

    • Beth Gersh-Nesic
      2025-09-04 04:02:23
      Beth Gersh-Nesic
      Hello, Hazel, Many thanks for reading this installment. You will love the Musée de l'art modern de la ville de Paris. Bonne séjour avec ton fils à Paris!

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