Geluck: Test Your French Level at the Musée Maillol

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Geluck: Test Your French Level at the Musée Maillol

After 25 years, I consider my French reasonably good. I can navigate most conversations with ease, though I still find joy in taking classes with my favorite professors in both Paris (Mehdi, who lives in Pantin) and San Francisco (Coline). Of course, I carry an American accent and occasionally trip over my words, but at this stage, “je m’en fiche” (I don’t care). People understand me, and once in a while, I’m even met with a surprising compliment. Communicating in French has become a core mission in this chapter of my life — an adventure I pursue at every opportunity with friends and neighbors.

Du coup,” a friend and I decided “par hasard” to visit the Musée Maillol — one of my favorite places in the city — to see the Geluck exhibit. (If you look back at my previous vignettes, you’ll find my inspirations from the Doisneau exhibit there last year.)

Philippe Geluck is a renowned Belgian cartoonist, writer, and sculptor, best known for his iconic, deadpan character “Le Chat.” This simple yet profound feline delivers philosophical and absurd one-liners that have made him a pillar of Francophone culture. His humor is rare in that it appeals equally to the wonder of children and the cynicism of adults. I approached this exhibit not just as an art lover, but as a student of the language, ready to test my grasp of French wit.

Geluck – 2. Photo: Bill O’Such

Sarcasm and the Cornerstone of Wit

The exhibit traces Geluck’s journey; his early work didn’t feature “Le Chat” but his roots in humor were always visible. Eventually, the cat became the cornerstone of his perspective. Geluck belonged to a group of humorists who famously ex pressed their sarcasm like when they wore shirts labeled “cons,” and he once noted, “Le con fait partie de nos vies” — which I’d translate as “idiocy is part of all our lives.” Walking through the galleries, it becomes clear how masterfully he leverages that sarcasm.

Geluck – 3. Photo: Bill O’Such

The Ultimate Translation Test

In the end, the day was a rigorous test of my French. I realized how much I still need to work on the nuances of French humor and idiomatic phrases. While many pieces rely on wordplay that translates easily — like the answering machine message: “We are here at the moment, but we don’t want to talk with you” — others are a deeper dive into the language and culture.

I found myself puzzling on phrases like “on en a plein le dos,” which I was luckily saw translated nearby as “I’ve had it up to here.” It was a reminder that while I can speak the language, learning to laugh and make others laugh in it is the next great challenge.

DETAILS

Musée Maillol
59-61 rue de Grenelle, 7th
Open every day from 10:30 am to 6:30 pm, late closure at 10 pm on Wednesday
Full-price ticket: 16.90€

Geluck – 4. Photo: Bill O’Such

Geluck – 5. Photo: Bill O’Such

Geluck – 6. Photo: Bill O’Such

Geluck – 7. Photo: Bill O’Such

Geluck – 8. Photo: Bill O’Such

Geluck – 9. Photo: Bill O’Such

Geluck – 1. Photo: Bill O’Such

Geluck – 11. Photo: Bill O’Such

Geluck – 12. Photo: Bill O’Such

Lead photo credit : Geluck - 10. Photo: Bill O'Such

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William was introduced to silver halide photography by his father, Chester J. O’Such, via the family’s Ansco reflex camera and home darkroom. After college, William worked as a photographic engineer at Eastman Kodak, where he began to learn the art of photography. With his first SLR, a Canon AE-1, he photographed his inaugural voyage to Paris in 1982. This early spark turned into full passion when William became a Kodak expatriate in Paris from 1995-99. Before returning to the USA, William and his future wife Ineke bought an apartment in the Marais district. Inspired by Bresson, William continues to visit Paris at least twice a year to wander the streets, camera in hand, looking for the next vignette. His photos are available for sale by visiting www.osuchphotography.com