Visions Éphémères in Paris

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Visions Éphémères in Paris

The Paris Vignettes series features the inspired work of street photographer William “Bill” O’Such in themed installments

Life never stops, but it sometimes allows itself to be glimpsed through the blur of a movement or the brilliance of a reflection. On this journey, it all begins with a hurried silhouette crossing the face of a clock in the Musée d’Orsay (“le passager du temps”), a reminder that every second is a transition. In the evening energy of Paris, my eye lingered on a figure joyfully piercing the darkness at full speed (“la cycliste du crepuscule”) or equally seeing the fleeting passage of two travelers (“vitesse nocturne”) as I headed home.

As twilight falls, reality can start to fragment: a solitary wanderer becomes a shadow figure against a storefront (“passante anonyme dans la nuit”), while the architecture along the Canal Saint Martin doubles itself in the tranquility of the still water (“la ville en miroir”). At times, the vision becomes more abstract, almost dreamlike. What I thought was just a sidewalk transformed itself into a shimmering golden river under the glow of the street lights in the 7th (“rivière d’or nocturne”) or when the leaves of the trees on the Île de la Jatte liquefy into calligraphy upon the Seine’s surface (“encre sur l’eau vive”).

Échos des silhouettes. Photo: Bill O’Such

Under the rain while riding the bus, the world can change texture. Droplets on the window transform urban turmoil into an impressionist canvas (“lumières sous l’averse”), leaving behind a vibrant trail of electric colors (“sillage électrique”). In this visual journey, even the most static objects, such as a series of bulbs (‘constellation de verre”) or distant glows (“guirlande d’hiver”) captured my eye. Finally after enjoying an afternoon in the BnF Richelieu, I looked up and saw poetic echos of the shadows of people passing above me (“échos de silhouettes”).

This vignette is an invitation to slow down, look up, look down and see better what is passing you by. You may be surprised!

Encre sur l’eau vive. Photo: Bill O’Such

Guirlande d’hiver. Photo: Bill O’Such

La cycliste du crépuscule. Photo: Bill O’Such

La ville en miroir. Photo: Bill O’Such

Le passager du temps. Photo: Bill O’Such

Lumières sous l’averse. Photo: Bill O’Such

Passante anonyme dans la nuit. Photo: Bill O’Such

Rivière d’or nocturne. Photo: Bill O’Such

Sillage électrique. Photo: Bill O’Such

Vitesse nocturne. Photo: Bill O’Such

Lead photo credit : Constellation de verre. Photo: Bill O'Such

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William was introduced to silver halide photography by his father, Chester J. O’Such, via the family’s Ansco reflex camera and home darkroom. After college, William worked as a photographic engineer at Eastman Kodak, where he began to learn the art of photography. With his first SLR, a Canon AE-1, he photographed his inaugural voyage to Paris in 1982. This early spark turned into full passion when William became a Kodak expatriate in Paris from 1995-99. Before returning to the USA, William and his future wife Ineke bought an apartment in the Marais district. Inspired by Bresson, William continues to visit Paris at least twice a year to wander the streets, camera in hand, looking for the next vignette. His photos are available for sale by visiting www.osuchphotography.com