Paris Vignettes: The Art in Windows and Walls

   679    1
Paris Vignettes: The Art in Windows and Walls

As you wander through the Paris streets or within the art-filled rooms of its many museums, take a pause and glance at the walls or out the windows and you’ll find a different dimension of beauty. While I was in the Mobilier National to see the exhibit called “Le chic! Arts décoratifs et mobilier de 1930 à 1960,” I glanced out the windows and realized that the old glass beautifully distorted the view of Paris, as you can see in my photos below: “les toits à travers une fenêtre,” “chambre de bonne à travers une fenêtre,” “les distortions attirantes.” I realized you could create an art exhibit just by looking outside at Paris through these old windows. In other instances, I’ve found that the windows, rather than creating or framing art, are the works of art themselves (as in“les fenêtres du Musée d’Orsay”).

On a walk along rue Mouffetard, I stumbled across the rolled down metal door of the local cinema celebrating Jimmy Stewart’s famous movie – It’s a Wonderful Life – and it made me realize life is always wonderful in Paris (“la vie est toujours bonne”). Other closed doors tell the story of the establishments such as “happy hours.” Even when venues are closed, there is still art. Another Paris attraction: the large painted walls as depicted in “Belleville wall” which is an area filled with this type of art, or “mur de batiment” that looks like an old wall from Brooklyn, or back to Mouffetard in the painted wall of a girl painting a wall with a painting (“la conception d’art”). Even the “affiches” prove artful such as “le secret du Jardin” in the Jardin d’Acclimation where you are asked to save the world from monster plants!

Walking back home in Le Marais, I passed “une danceuse” and then turned left and headed upstairs to bed thinking of Jimmy Stewart’s movie.

Chambre de Bonne a Travers une Fenetre. Photo credit: William O’Such

Happy Hours. Photo credit: William O’Such

La conception d’art. Photo credit: William O’Such

La vie est toujours bonne. Photo credit: William O’Such

Le secret du jardin. Photo credit: William O’Such

Les distortions attirantes. Photo credit: William O’Such

Les toits a travers une fenetre. Photo credit: William O’Such

Les fenêtres du Musee d’Orsay. Photo credit: William O’Such

Mur de batiment. Photo credit: William O’Such

Belleville wall. Photo credit: William O’Such

Septembre 1902. Photo credit: William O’Such

Lead photo credit : Une danceuse. Photo credit: William O'Such

Previous Article Poppy in Paris: A March Tribute to the City’s Women
Next Article Film Review: Un Petit Frère (Mother and Son)


William was introduced to silver halide photography by his father, Chester J. O’Such, via the family’s Ansco reflex camera and home darkroom. After college, William worked as a photographic engineer at Eastman Kodak, where he began to learn the art of photography. With his first SLR, a Canon AE-1, he photographed his inaugural voyage to Paris in 1982. This early spark turned into full passion when William became a Kodak expatriate in Paris from 1995-99. Before returning to the USA, William and his future wife Ineke bought an apartment in the Marais district. Inspired by Bresson, William continues to visit Paris at least twice a year to wander the streets, camera in hand, looking for the next vignette. His photos are available for sale by visiting www.osuchphotography.com

Comments

  • Martha Sessums
    2023-03-16 06:36:38
    Martha Sessums
    Great images, as always. I love the one with the girl painting the Google colors. Reminds one that tech is so much a part of our lives. Even with little girls.

    REPLY