Basilica of Saint-Denis and the Medieval Miracle, Insights into the Cathedral Builders

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Basilica of Saint-Denis and the Medieval Miracle, Insights into the Cathedral Builders
Lately I’ve been re-reading The Cathedral Builders, written by Jean Gimpel, a man of diverse interests born in Paris in 1918. During World War II he was involved in a Resistance group blowing up factories in and around Paris – preventing their takeover by the invading Nazis. Jean survived a concentration camp, but his father René, the eminent Parisian art dealer, did not. After the War, Jean set up a laboratory for the scientific study of the Old Masters. The Cathedral Builders, published 35 years ago, is a definitive study, dispensing with myth and magic and all the more commanding for that. The facts contained in his first three sentences always astonish me: “In three centuries – from 1050 to 1350 – several million tons of stone were quarried in France for the building of 80 cathedrals, 500 large churches and some tens of thousands of parish churches. More stone was excavated in France during those three centuries than at any time in Ancient Egypt, although the volume of the Great Pyramid alone is 2,500,000 cubic meters. The foundations of the cathedrals are laid as deep as 10 meters, the average depth of a Paris Metro station, and in some cases there is as much stone below ground as above.” The statistics are eye-watering! There is a wealth of documentation about the builders of these vast cathedrals yet historical truth was, and is, shrouded in legends of guilds, of secrets, of volunteer labor, and builder monks. The unraveling of legend had to wait centuries until the writing of three major works in our own time gave us truths more remarkable than any fiction: Les Chantiers des Cathédrales by Pierre du Colombier; Gold was the Mortar by H. Kraus, an American living in Paris, and Ars Quatuor Coronatorum, the review published in London by the Masonic Lodge of the Free Masons. The term Free Mason owes a pedestrian beginning from “freestone mason.” To distinguish between those who worked with hard stone, hard hewers, quarrying the blocks, and those who worked or carved the chalky stone used for more delicate work such as sculpture, came “freestone‟ masons – the latter stone being “free‟ or portable. Freestone masons were distinguished from rough masons and gradually the portmanteau “freemason‟ was born. The medieval un maître maçon de franche peer became a master mason of freestone. We are indebted to Abbot Suger, Regent of France, for the influential rise of these great cathedrals, stone poems. As a young man he became an Oblate of the Benedictine Abbey of Saint-Denis and was eventually given it, with the title Abbot. It was Dagobert, the Merovingian king of the Franks in the seventh century, who re-founded the church as an Abbey of Saint Denis and Benedictine monastery. Suger was of humble origin and never concealed the fact. At eleven we are surprised to learn he attended the local school, perhaps his precocious intelligence gained him a place, it being Benedictine, an Order which has always championed educating those who showed a desire for it. Here Suger made friends with the future King of France. Young Suger held one burning ambition – he wanted to rebuild Saint-Denis, the Royal Abbey where the Kings and Queens of France were buried. And so, in time, he did. It was a rocky road, we might smile and say “rough-hewn.” Suger rose in power and esteem and ran into Bernard of Clairvaux whose claims to wealth did not include gold altar pieces or soaring naves but to the glory gained by leading Crusades. However, each man had the wisdom to acknowledge their differences – the King himself being their common denominator. Suger seemed to attract the beautiful – halted in a work by lack of jewels he counted it a “droll but remarkable miracle‟ when monks from Citaeux and Fontevrault offered to sell him an abundance of precious stones: amethysts, sapphires, rubies, emeralds and topazes– alms given them by Comte Thibaud. Suger made exquisite use of them and, although we have lost most, a few examples remain in the Louvre museum. In the eleventh century, stonecutters and sculptors began to attract the interest of Christendom and monumental sculpture developed rapidly. From the twelfth century it became a major means of expression. Stained glass became important at the expense of frescoes, which declined as window areas increased and wall surfaces diminished. By becoming a sculptor, the stonemason graduated to the intellectual world of theologians, he learned from them, having the wonderful opportunity of accessing precious manuscripts for his depictions of the Holy: Christ, the Virgin, saints. His intellectual horizon broadened, he learned to look, to observe, to think. Suger’s dream was dawning. And dawn happens in the East. Muslim scholars held a magnificent synthesis of scientific knowledge from India and from the great minds of classical antiquity – Euclid, Aristotle, Plato, Ptolemy. Al-Khawarizmi’s work on algebra dazzled European scholars, Al-Zarqali’s trigonometry proved the importance of sines and tangents, all of which influenced cathedral building. “In this way”, wrote Villard de Honnecourt, “the central point of a circle drawn with a compass can be found … thus the thickness of a column, only part of which is visible, can be calculated…” Muslims, Christians and Jews were taught through the universities of Arabic Spain during those enlightened years, especially under Alfonso the Wise in the eleventh century. We cannot underestimate the remarkable contribution of Arabic culture to Europeans. Light had dawned…
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Lead photo credit : Viollet-le-Duc's project to reconstruct the façade of the Basilica of Saint-Denis. Public domain.

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Nigelle de Visme is of Swiss and English origin and currently lives in Glastonbury. She has lived in Australia, India and France and still travels extensively. A published author, she was nominated for a French Media Award in March 2017. At the age of 68 she walked the Chemin Saint Jacques from Roncesvalles to Santiago de Compostela and is at her happiest in gardens, wild places and the thirteenth century. Après Brexit she is exploring the possibility of applying for political asylum in France.

Comments

  • Stefanie Trierweiler
    2020-05-16 00:37:32
    Stefanie Trierweiler
    I was lucky to visit the Cathedral on a rainy January morning in 2018, with only 4 other visitors. The light through the stained glass was spectacular, even on that cloudy day. I hope more people discover this incredible place and its history.

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  • Bonnie Sullivan
    2019-03-08 22:59:57
    Bonnie Sullivan
    I was privilged to see the beautiful Cathedral of St. Denis, and see the maginificent tombs and efigies. This was a visit I chose on my own with my husband and another couple. I must have read about it in an article, and even though I remember the day rainy & cold it is a wonderful memory.

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  • Jack Rippy
    2017-12-06 19:37:44
    Jack Rippy
    One can hardly walk any distance in Paris without encountering one of the Cathedrals, large churches, or Parish churches the article chronicles---even more heart-breaking than the long gone masons who built them are the long gone ardent worshippers who once instituted their construction and reverently attended them--

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  • Lorraine Hickman
    2017-11-27 15:45:15
    Lorraine Hickman
    Brilliant article. Fascinating. It breaks my heart to learn these places are gone.

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  • Gerhard Boerner
    2017-11-23 11:23:44
    Gerhard Boerner
    Of course. There are so many untold stories within this beautiful city. I am always drawn back and just walking the streets is an experience like no other. Thanks.

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