Three Women Authors Writing in the Time of Coronavirus

   456    2
Three Women Authors Writing in the Time of Coronavirus
Lead photo © Cathryn Lavery, Unsplash A writer told me shortly after the beginning of lockdown in France that the new abnormal pretty much conformed to her old normal: staying home, reading, on-line research, pecking at the keyboard. Things got more complicated –for everyone—as the situation grinded on. Three writers who joined this year’s Paris Writers Workshop (which like so much else took place via Zoom) spoke to me about their lives in the time of corona. Their answers were surprisingly diverse: the “time of corona” is no longer just a matter of the pandemic but of lockdowns and lifting of lockdowns, shifting family dynamics, and economic turmoil. It’s also the time of Black Lives Matter, and in America, a looming presidential election. Lise Funderburg is a journalist and writer of creative nonfiction who lives in Philadelphia, and is also professor of creative writing at Rutgers University. Unsurprisingly she’s most attuned to the great changes roiling American society. “In the U.S, we’re experiencing an extraordinary time of awareness. I hope it lasts. Longstanding, deeply entrenched practices of discrimination are being confronted with a frankness that one can only hope will endure and incite change.” She’s a person of mixed-race heritage, whose memoir Pig Candy described her father’s return to his native South decades after he fled to a comparatively less oppressive environment. In that book and other writings she has written on the legacy of race before it exploded as the major topic of America’s national conversation. “Tragically, this awareness was predicated by the horrible killings of Ahmaud Arbery, George Floyd, and Breonna Taylor, among too many others; and by the injustices exposed by Covid-19’s disproportionate impact on people of color and the economically disadvantaged.” And yet for every dark cloud, even now, there’s that proverbial silver lining. Lise confirms reports that for those who write about race, there’s been a spike in book sales, even for older titles. Readers are seemingly eager to get a handle on problems they’d never addressed, or thought were behind them. “Bookstore owners report that they’ve never seen anything like it. They’re out of stock and their suppliers are out of stock, too. It’s a welcome problem, to be sure, and it’s heartening to see this appetite for information. More periodicals are commissioning pieces by people of color. However, the cloud’s lining can be made of lead as well as silver. What she finds most challenging is when writers are expected to carry the burden of enlightening others. “As the novelist Mat Johnson puts it, he supports people who want to be allies, but he doesn’t want to do their ‘emotional and intellectual labor.” Lauren Grodstein, author of the best-selling A Friend of the Family, often writes about family relations. While Lise has been more impacted by the social side of the situation, Lauren sees things in terms of the writer and family life. Many professionals who have been able to continue working at home have had to deal with childcare and seeing to their children’s education. “I can really only speak for myself as a writer and a mother, but it’s astonished me how little thought goes into childcare in the United States.  My kids have been home for four months, and during that time I have done my best to do my salaried work as an English professor, but it’s been incredibly challenging.” 
Previous Article Book Review: Let Them Eat Pancakes by Craig Carlson
Next Article Quatorze Juillet 2020: Celebrating the Spirit of Paris

Dimitri Keramitas was born and raised in Connecticut, USA, and was educated at the University of Hartford, Sorbonne, and the University of London, and holds degrees in literature and law. He has lived in Paris for years, and directs a training company and translation agency. In addition, he has worked as a film critic for both print and on-line publications, including Bonjour Paris and France Today. He is a contributing editor to Movies in American History. In addition he is an award-winning writer of fiction, whose stories have been published in many literary journals. He is the director of the creative writing program at WICE, a Paris-based organization. He is also a director at the Paris Alumni Network, an organization linking together several hundred professionals, and is the editor of its newletter. The father of two children, Dimitri not only enjoys Paris living but returning to the US regularly and traveling in Europe and elsewhere.


  • Jill Forster
    2020-07-17 10:37:56
    Jill Forster
    Loved the chance to hear about other writers in the time off Covid19 lockdown and also to learn of the Paris Writers Workshop which would be a dream thing to do, being a francophile, a speaker of French and a writer. In the time of lockdown I woke very day before dawn and. with a good coffee at my side I watched and marvelled at the new day. Each time I wrote poems and snippets of short stories an d it has been a particularly special time each day .As you say, writing form home - and for me often from a cafe as well - is a normal part of a writer's life but this became a concentrated time and a cocoon for .concentrated reflection. Thank you for your article.


  • Patricia Daly-Lipe
    2020-07-16 09:38:32
    Patricia Daly-Lipe
    There is much to learn from this pandemic. Nature has literally blossomed. We are leaving it alone and the trees,grass, flowers love their freedom. The birds are loud and clear: time to flirt. We can watch as they fly to and away from each other. The air is clear, the roads are almost clear, and if we take the time to look, not see, to listen not hear, we will become aware of the sky and the clouds and the rising and setting sun and the sounds of silence. Yes, this is a time to remember we are part of the planet; we are not in control. And, as a writer, much of what I see and hear and smell will enter into my creativity as words.