Paris Vignettes: Evening Lights

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Paris Vignettes: Evening Lights

The Paris Vignettes series features the inspired work of street photographer William “Bill” O’Such in themed installments

As winter evenings unfold around 5 pm, the Parisian cityscape transforms under the gentle glow of early lights. Strangely, after a while, the ambiance appears more luminous than it did just a few hours earlier, especially in our home district (“Le Marais”). The yellow and orange lumière seem to work a magical alchemy, casting a cozy warmth over the chilly nights, inviting Parisians to cafés (“Saint Gervais”), provided they are wearing something warm.

Wandering through Le Marais, the streets buzzed with activity — a vibrant tableau of people returning home from dinner (“danse”) or embarking on late-night shopping escapades (“rue du temple”) in pursuit of holiday gifts. In the vicinity of Place Jean-Michel Basquiat, shadows gracefully danced and contoured themselves (“les ombres du nuit”), creating a magical interplay that continued to unfold after dinner, captivating those with a penchant for observing the night (“French eyes”).

The true enchantment of each evening lies in the well-lit cafés (“la rhumerie”, “le petit mousse)”, their inviting glow beckoning passersby for aperitifs or dinner. On one serendipitous evening, I found myself wandering aimlessly across the Seine (“vers Île de la cité”), eventually arriving in the neighborhood I called home from ’95 to ’97. Along this nostalgic journey, I stumbled upon the site of “Le Whitney,” now transformed into a wine store/bar for Le Polidor (“Vieux le Whitney”).

Later, as I leisurely meandered homeward (“vers chez nous”), the streets glittered with people waiting in anticipation, caught in the shimmering embrace of the evening (“attendant”). Each nocturnal encounter in Paris tells a unique story, and every step is a chapter in this ongoing narrative.

Attendant. Photo credit: William O’Such

Danse. Photo credit: William O’Such

La Rhumerie. Photo credit: William O’Such

Le Marais. Photo credit: William O’Such

Le Petit Mousse. Photo credit: William O’Such

Les ombres du nuit. Photo credit: William O’Such

Pavillon de l’Arsenal. Photo credit: William O’Such

Queue pour le loto. Photo credit: William O’Such

Rue du Temple. Photo credit: William O’Such

Saint Gervais. Photo credit: William O’Such

Saint Paul. Photo credit: William O’Such

Vers chez nous. Photo credit: William O’Such

Vers Ile de la cité. Photo credit: William O’Such

Vieux Le Whitney. Photo credit: William O’Such

Lead photo credit : French Eyes. Photo: William O'Such

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William was introduced to silver halide photography by his father, Chester J. O’Such, via the family’s Ansco reflex camera and home darkroom. After college, William worked as a photographic engineer at Eastman Kodak, where he began to learn the art of photography. With his first SLR, a Canon AE-1, he photographed his inaugural voyage to Paris in 1982. This early spark turned into full passion when William became a Kodak expatriate in Paris from 1995-99. Before returning to the USA, William and his future wife Ineke bought an apartment in the Marais district. Inspired by Bresson, William continues to visit Paris at least twice a year to wander the streets, camera in hand, looking for the next vignette. His photos are available for sale by visiting www.osuchphotography.com