Convos and Vélos: The Art of People Watching in Paris

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Convos and Vélos: The Art of People Watching in Paris

The Paris Vignettes series features the inspired work of street photographer William “Bill” O’Such in themed installments. These photos were made in early autumn 2024.

In Paris, there are many fleeting moments that pass in a split second, like when I stepped off Pont de Sully and caught a quick glance from two bicyclists passing by (“vélo à deux”) or when someone on a motorbike (“demi-tour”) with his dog does a quick 180-degree turn, both looking together in their new direction. Other moments evolve more slowly, but capturing that perfect second is a challenge (“concentration sur le metro,” “les scouts”).

As I meander down streets that I must have walked countless times, there is always something special that appears (“les scouts,” “styling dans le marais”) to remind me that we are in a truly remarkable city. One of my favorite themes is observing conversations, where one can start to guess the details: two people waiting for a taxi (“mon taxi est ou ?”), another couple discussing something (“on y va ?”), or someone shouting at their phone in frustration (“c’est pas vrai”).

The interplay between people and the city (“femme et un chien”) is a constant reminder that Paris rarely stands still. One exception, perhaps, is when a couple sits along the Seine (“zen au bord de la Seine”), savoring a quiet moment as the river flows past them.

au boulot. Photo by William O’Such

c’est pas vrai. Photo by William O’Such

déménagement. Photo by William O’Such

démi tour. Photo by William O’Such

femme et un chien. Photo by William O’Such

les scouts. Photo by William O’Such

mon taxi est ou ? Photo by William O’Such

on y va ? Photo by William O’Such

reflections rue de lappe. Photo by William O’Such

styling dans le marais. Photo by William O’Such

vélo à deux. Photo by William O’Such

zen au bord de la seine. Photo by William O’Such

Lead photo credit : concentration sur le metro. Photo by William O'Such

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William was introduced to silver halide photography by his father, Chester J. O’Such, via the family’s Ansco reflex camera and home darkroom. After college, William worked as a photographic engineer at Eastman Kodak, where he began to learn the art of photography. With his first SLR, a Canon AE-1, he photographed his inaugural voyage to Paris in 1982. This early spark turned into full passion when William became a Kodak expatriate in Paris from 1995-99. Before returning to the USA, William and his future wife Ineke bought an apartment in the Marais district. Inspired by Bresson, William continues to visit Paris at least twice a year to wander the streets, camera in hand, looking for the next vignette. His photos are available for sale by visiting www.osuchphotography.com