Bed Bugs in the Cinema- or Urban Legend?

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Bed Bugs in the Cinema- or Urban Legend?
Just when you thought it was safe to go back into the Paris cinemas, there have been reports about bugs — bedbugs — in certain movie theaters. This hasn’t the same level of urgency as when the coronavirus stalked the land, leading to closures and masks. However, it’s kind of creepy (or creepy-crawly) evoking the late William Friedkin’s Bug. In that film the characters’ obsession with being infested by insects may be psychological (but then isn’t that what Regan’s therapist said in another Friedkin film?). The story started in late August/early September, when a person named Nawel complained on social media that she’d come out of the UGC Bercy cinema with red marks on her body. Some other so-called internauts seconded the complaint, and also incriminated the MK2 chain. Soon, both the UGC and MK2 groups apologized publicly and said they’d treated their screening rooms. A few facts (remember those?) should be noted. The complaints seem to have been made exclusively on social media, and somewhat anonymously (first names only) to boot. The complaints apparently weren’t made directly to public authorities or the cinemas in question. While the movie-theater chains issued apologies (the prevalent reaction to controversy nowadays being to be as abject as you can as quickly as you can, yanking it out like a bad tooth), they did not officially confirm the presence of the bedbugs. (Nor has any public hygiene inspector.) As it happens only two cinema establishments were accused: UGC Bercy and MK2 Bibliothèque, in the 12th and 13th arrondissements, very near to one another (within walking distance, albeit a long walk). Also as it happens, they’re located in my own stomping grounds, and I go to both with some frequency for first-run fare. I’d been to both at the start of summer, without any ill effects. Perhaps I was just lucky? In any case, why these cinemas? Close-up view of a bed bug. Photo credit: Piotr Naskrecki/ Wikimedia Commons I wondered if the critters were attracted to the snacks and sweet drinks that the multiplex cinemas sell, but experts maintain that the insects don’t dine on these, insisting on human blood. Likewise, though the cinemas are in close proximity to many restaurants, cafés, food trucks and the like, food and waste don’t play a role in their proliferation. (But as news reports and a recent article in the New York Review of Books attest, rats are a different story.) The most efficient method of travel for the bugs is being ferried by human hosts, so the high turnover at densely-populated movie theaters may account for their presence in the seats. (Both cinemas run shows continually from late-morning or noon to 10 pm at night.) In other words, the cinemas may be the victims of their own popularity. According to one source, the bugs quite correctly associate warm, smelly materials with human prey. They adore dirty laundry, so cinema-goers who don’t clean their clothes often enough may share in the blame. Bed bugs enjoy dark colors, red and green in particular, and so the color of cinema seating may have been to the bug’s taste. The same applies to the public’s clothing. If you want to ward off bed bugs, wear white or other bright colors. (The in color among young Parisian women this summer? Black.) MK2 cinema. Photo: Yann Caradec
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Lead photo credit : The interior of La Pagode, when it was a cinema. Photo: Dorothy Garabedian

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Dimitri Keramitas was born and raised in Connecticut, USA, and was educated at the University of Hartford, Sorbonne, and the University of London, and holds degrees in literature and law. He has lived in Paris for years, and directs a training company and translation agency. In addition, he has worked as a film critic for both print and on-line publications, including Bonjour Paris and France Today. He is a contributing editor to Movies in American History. In addition he is an award-winning writer of fiction, whose stories have been published in many literary journals. He is the director of the creative writing program at WICE, a Paris-based organization. He is also a director at the Paris Alumni Network, an organization linking together several hundred professionals, and is the editor of its newletter. The father of two children, Dimitri not only enjoys Paris living but returning to the US regularly and traveling in Europe and elsewhere.