Starbucks in Paris – for or against?

   555  
I’ve been thinking for a week or so now about the news that Starbucks has opened in Paris. Like many of us, I have a melange of feelings about it. Understand, I like Starbucks. Both the ambiance and the product are classy. The company’s founder, Howard Schultz, created the concept to replicate the social setting and rich coffee experience he discovered at local coffee bars in Italy. He has maintained a quality control that does in fact make Starbucks an enjoyable “third place” (his phrase) in which to sit in warmly decorated surroundings, listen to soft jazz, relax and drink coffee made from carefully chosen high quality beans. I love to sink into an easy chair in my local Starbucks and chill with the smoky taste of a Café Verona or the earthy depth of a cup of Sumatra. But nevertheless, there is something disturbing about the news of Starbucks in Paris. It almost made me angry, and I had to think about it. I remembered two other instances when the trappings of American culture blatantly smacked into me in Paris. I thought back on them so I could compare (or contrast) and try to analyze why I’m angry – or am I? Perhaps I’m just confused. I need to analyze the situation. Example number one:One day in the Fall a couple of years ago, I emerged from a stroll through the charming and quiet square of apartments and tiny shops in the Marais called Village St. Paul. It was a cool but beautiful day, and I was taking myself through the walk called “The Writing on the Wall,” described in exquisite detail in my well-worn copy of the marvelous “Time Out Book of Paris Walks.” (This walk features such gems as a musket ball lodged high in the side of a building, a Medieval street name and district number carved on a narrow, ancient alley’s stone wall, and French revolutionary graffiti hastily scrawled two centuries ago on the wall of a church that one enters through a hidden side door at the end of a tiny passageway. The route is designed by Sasha Goldman – a film producer and one of the many non-travel-writer authors who bring a lyricism and historical depth to the writing in this book, so it’s almost as interesting to read the chapters as to actually take the walks.) I paused on a curb in that charming right bank residential neighborhood, listened to the chortles of children playing in the yard of a school behind a high stone wall across the street, and breathed in the pleasure of just being in Paris under a blue sky. A young mother walked by with a stroller, her child barely visible behind netting to protect him or her against the weather. A church bell chimed its greeting from not very far away. A beautiful, wonderful day. I stepped off the curb and continue my walk . But I had to jump back. I had almost collided with a small red vehicle hurtling around the corner. It just appeared, as if the vista around me was a lovely painting and some nasty child had hurled a toy through it – an electric toy that rent the canvas and made jarring “putt putt putt” noises. And this awful gadget that pulled up in front of me was a red scooter with a familiar flat cardboard box tied to the back. I fought to accept the surreal reality. The apparition dismounted – a young man in a uniform that said “Pizza Hut” on the hat and shirt. Pizza Hut. In Paris. Not in a so-called “touristy” neighborhood, or on one of the wide boulevards laid out by Baron Haussmann, those traffic-filled streets that lead to the Tour Eiffel or the Arch de Triomphe. On the busiest sections of the Champs d’Elysees or Boulevard Raspail I am not surprised to find a Gap store sitting next to a French café. And in the most crowded and funky sections of the fifth arrondissement, I know that there are telltale yellow arches and bags of french fries in at least one location. I wasn’t happy with that situation when I first saw it, but now I just ignore its existence as I walk by. But not here in the Marais. I felt cheated, as if I were in a parallel world that I didn’t much like. Another example: About five years ago, I was climbing the steps to Sacré-Coeur cathedral. The sharp white of its dome stood starkly against the sky and glowed courtesy of a mid-afternoon sun, while a couple of mediocre artists hawked their portraiture a little way up. Down below were all the restaurants and racks of postcards and 8-inch brass Eiffel Towers. But none of that disturbed me. I knew that when I reached the top, I could walk through the crowded Place de Tertre, out the other side, and slowly down the quiet, tilting streets not so long ago trod by Picasso and his friends. Then, I almost tripped over several young people sitting on the stairs with their lunch. A stick-thin boy with acne was picking french fries out of a white bag, and his female companion held a burger. The bags and paper cups strewn around them carried the Burger King logo. Granted, the foot of the stairs to Sacré-Coeur as well as the Place de Tertre up at the top are tacky – filled with bad artists, semi-talented clones of Marcel Marceau, and hawkers of cards, posters, scarfs and all the other paraphenelia that they hope Mildred wants to bring back to Des Moines (along with her portrait, done in pastels in 12 minutes). But it’s tacky in a French kind of way. So is that the problem? Is it that I don’t care about the level of tackiness, just the nationality? Not really.
  • SUBSCRIBE
  • ALREADY SUBSCRIBED?
Previous Article The Pont du Gard
Next Article An Interview with Thirza Vallois


Michele is a corporate lawyer and writer who visits France often and is convinced she must have been French in an earlier life -probably hanging around with Ernest Hemingway during what she calls his "cute" stage, living on Cardinal Lemoine and writing on rue Descartes - which just happens to be be her usual stomping ground. From her first time in Paris and that first feeling of familiarity she has returned often as if it is her second home. Now the hotels are Airbnb apartments and she enjoys being a short-term local and shopping at the market, cooking her own meals. Sitting on her own Paris balcony , a wineglass or morning coffee in hand, she writes her journal, describing her walks around town as the proverbial flâneur and taking notes for the future’s stories and travel pieces.